What the agent asks

Three decisions are yours, not the agent’s, so it has to ask before it starts. Answer them in your first prompt and it goes straight to work.

Which iPhone

The hardware that appears in the video, and its finish. There is no default worth guessing — a phone in the wrong color reads as a stock mockup. See The phone for the full list.

Music, or none

The track’s tempo decides how long every scene is and where the cuts land, so it has to be settled before anything is timed — not added at the end. Give a path to an audio file, or say no music.

Videos are silent unless you ask for sound, and bringing your own licensed track is the only option — Reely does not supply music.

One take, or scene by scene

How the feature gets recorded. It changes what a retake costs later.

ChoiceGood forTrade-off
Scene by sceneLong flows, anything cut to music, work you expect to revise.More recording passes up front; re-shooting one beat is cheap.
One continuous takeShort flows and quick first drafts.Simplest to manage; any change re-records the whole thing.

If there is music, prefer scene by scene — it lets each action land on a beat.

Answer all three at once

No questions asked — it starts immediately.